Showing posts tagged raaga

Senchurutti-contemplative mood-janya of 28 Mela Harikambodhi http://bit.ly/Uval9 #rotd #raaga

Nayaki-elongated notes-janya of 22 Mela Karaharapriya SR2M1PD2N2D2PS SN2D2PM1R1G2R2S http://bit.ly/1SFSeO #rotd #raaga

Nayaki and Durbar are allied ragas and can almost end up sounding the same if not handled carefully. While Durbar is sung in a crisp manner without elongating the notes (quick phrases ggrs nndp ggrs being very popular), the main feature of Nayaki ragam is how the notes Ga and Dha are sung in an elongated manner.  Durbar is a fast paced melody not meant for lengthy elaboration while Nayaki is sung in a slower tempo. Ranganayakam by Muthuswamy Dikshitar is a classic Nayaki, the first line of the song is indicative of the raga structure.

Dwijavanthi-gentle curves-janya of 28 Mela Harikambodhi H-music equiv Jayjayvanthi http://bit.ly/WdoDG #rotd #raaga

Chandrajyoti-luminous spark-janya of 41 Mela Pavani http://bit.ly/3MAINL #rotd #raaga

Kiranavali-sharp drop-janya of 21 Mela Kirvani SR2G2M1PD1N3S SPM1G2R2S http://bit.ly/2qF2KJ #rotd #raaga

Natabhairavi-grand strokes-20 Mela raga SR2G2M1PD1N2S SN2D1PM1G2R2S http://bit.ly/2SiRGM #rotd #raaga

Anandabhairavi-graceful curves-janya of 20 Mela Natabhairavi SG2R2G2M1PD1PS SN2D1PM1G2R2S http://bit.ly/2uD5BL #rotd #raaga

Dhanyasi-chip of the old block-janya of 8 Mela Thodi SG2M1PN2S SN2D1PM1G2R1S http://bit.ly/3AUmTP #rotd #raaga

Maanji-gliding beauty-janya of 20 Mela Natabhairavi SR2G2M1PD2N2S SN2D2PM1PG2R2S http://bit.ly/4qkBeE #rotd #raaga

KalyanaVasantham-joie de vivre-janya of 21 Mela Kirvani SG2M1D1N2S SN2D1PM1G2R2S http://bit.ly/2s3pSI #rotd #raaga